“The book is amazing, and so perfectly representative of that time. I swear, looking through those pictures brought me right back to being in a cold, damp van with a bunch of smelly musicians, having the time of our lives!”—Dave Grohl

“Few people can lay claim to starting a rock ‘n’ roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that.”—Paper Mag

At last, a Nirvana story with a happy ending. This intimate photo journal captures eight days in Europe with Nirvana, Tad, and Mudhoney in 1989.

• ISBN 978-1-935950-10-3
• Deluxe 208pp debossed hardcover
• Foreword by Keith Cameron (Mojo)
• Over 200 color historical images and diaries from historic 1989 tour of Europe by Seattle bands Nirvana, Tad, and Mudhoney
• Special gallery of b/w LameFest UK live images by legendary photographer Steve Double
• Extensive appendixes of breakthrough British and U.S. tour press
• Dimensions: 9″ x 11″ x 1 1/4″ (230mm x 280mm x 32mm); 4 lbs. (1.8 kg)

Click cover to view Guitar World‘s book excerpt from Day One: Piper Club, Rome. Monday, November 27, 1989

Experiencing Nirvana: Grunge in Europe, 1989, is a photo journal and a grunge rock micro-history; an inside look into a crucial eight-day period in the touring life of Nirvana, and two other Seattle bands, as seen through the eyes of Bruce Pavitt, the co-founder of Sub Pop Records, the Seattle label that first signed Nirvana in 1988.

The dramatic eight days covered in this book, from November 27 through December 4, 1989, represented a turning point for Nirvana. In this brief period, the young band went from breaking up in Rome to winning over the influential British music press at Sub Pop’s LameFest UK showcase in London, setting the stage for their looming leap in popularity. On November 27, 1989, when Bruce Pavitt and his Sub Pop partner Jonathan Poneman arrived to meet Nirvana in Rome, the band was almost finished with a grueling six week tour of Europe. Although determined to promote their grungy, riff-heavy debut album, Bleach, Nirvana’s travels with fellow Sub Pop act Tad had left them exhausted. Pavitt and Poneman did their best to revive the spirits of a frustrated and downcast Kurt Cobain.

Despite a threatened leap from a 14-foot speaker tower, soon followed by the theft of his passport and wallet, Cobain managed to continue to London, where Nirvana played the biggest and most important show of its career to date. Nirvana’s breakthrough night at the 2,000-capacity Astoria Theatre in London featured three Seattle Sub Pop acts: Nirvana, Tad, and popular headliners Mudhoney. Nirvana opened the show, and their heart-pounding performance won over the crowd and changed the band’s fate. The powerful London music press proclaimed that Nirvana was “Sub Pop’s answer to the Beatles.” After that night, the world’s attention began to focus on the band that would become the biggest rock act of their generation.

“Sub Pop didn’t have much to work with. We knew Seattle was developing a distinctive brand of heavy, soulful, grungy rock, but we weren’t sure who our next bands were going to be. Then, everything unfolded. This is a Nirvana story with a joyful ending”—Bruce Pavitt

“For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. EXPERIENCING NIRVANA is part rock ‘n roll travelogue and part voyeuristic pop culture rubbernecking—an unromantic yet nostalgic glimpse into a rock social movement just prior to its explosion.”—Kim Thayil, Soundgarden

Bruce Pavitt started his Sub Pop zine in 1980, in Olympia, WA. In 1986, he launched the Sub Pop record label. In 1988, Sub Pop opened the doors to offices in downtown Seattle. By the early ’90s the label had released recordings by Nirvana, Soundgarden, Mudhoney, Mark Lanegan, Beat Happening, TAD, The Walkabouts, Steven Jessie Bernstein; and helped initiate a global interest in Seattle area music. Bruce keeps engaged in music by periodically speaking at conferences and festivals, consulting with artists and music labels, and working as a DJ.

Steve Double’s work is held in the permanent collection of Britain’s National Portrait Gallery. He is old enough to know better.

This book helps support Seattle’s Vera Project.

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